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Using our various 3d laser scanners Wysiwyg 3D was able to acquire data from a number of different sized objects as large as Australia's Melbourne Telstra Dome to Johhny Blaze's helmet and Johnny Blaze's motorbike.
Using the Artec and Minolta scanner combo Wysiwyg 3D scanned Geoffrey Rush to get accurate and detailed facial images for animation purposes.
Using a lidar scanner Wysiwyg 3D was able to capture data of the large ships and details of the underwater landscaping. Laser scanned onsite in Queensland Australia, the data was then processed to create accurate 3D cad models.
Filmed in Melbourne Australia, Wysiwyg 3D scanned the props and in particular Superman's glasses. Although Superman's glasses are oversized we were able to scan real life glasses capturing the fine detail to then scaled up and get remade.
One of our all time favourite projects was the ships from Star Wars I and II. From initial artists sketches preliminary models of the ships were made. After final approval from George Lucas the scaled models were then laser scanned and rebuilt to full size for animation purposes.
Sandy & Courtney explain the processes they used to create the multi award winning Plastic (as on AFTRS showcase website):
One of our more challenging projects complete with many limiting factors Wysiwyg 3D was called upon to help create and cyber scan the Son of Mask car for manufacturing and laser scan a mask for the dog animation.
Using cutting edge 3d cyber scanning technology Wysiwyg 3D scanned some of the actors including Sarah Michelle Gellar and Freddie Prince Junior to capture accurate facial details and measurements.
Using the Faro Arm and Modelmaker Combo, Wysiwyg 3d engineers were able to 3d laser scan the swords and shields
Another Australian film laser scanned by the Wysiwyg 3D engineers.